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Life and death are two sides of a coin that seem to be flipped on a fairly regular basis. Life is precious, and at the same time it is not.

Specifically, Cuarón's Roma makes very moving points about the treatment of women, about class distinction, and about how life in his childhood Mexico was a place where you could meet death at any moment, whether due to natural environmental causes, such as earthquakes or dangerous water, or at the hands of a mob, or even at the hands of lunatic machismo-driven, egocentric, misogynist. But they both leak emotional subjectivity all over the place. Both films speak about a director's formative years, and are attempts, I think, to give an objective, maybe even documentary appearance to that story. Shot in the same neo-realistic style of Fellini's early work, complete with the beauty of the black and white trademark of neo-realism, my first instinct is to go back and watch Fellini's own film entitled Roma. Without doubt, although my memory is foggy, this movie is in part a tribute to Federico Fellini.

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